MARTIN PILIPONSKY BRAIER
Artist. dancer. professor.
"Dance can not be learned, it must always be a practice, it must be a unique and unrepeatable experience, sometimes positive and enriching, sometimes contradictory and difficult.
In times where the image is global and total, the practice in creating awareness through the authentic, real and liberating movement helps to move the states .. to create scores of Movement, to link us with more openness and expansion. A practice enables us to make our responsibility as performers, dancers, actors, humans. To put all our senses to use. Understand that the movement / dance is unnamable, non-transferable and that unique experience makes it possible to become aware of ourselves and our doing as individuals.
To undergo a practice is to recognize a vital process as such and in itself! Without the objective of a specific result. To submit to this process is to be aware of the infinite possibilities that result. A practice that enables our consciousness helps us to evolve to explore unknown places and allow something new and even perhaps surprising; like magic".
CONSULTAME
PUEDES ESCRIBIRME EN CUALQUIER MOMENTO
Y CONSULTARME LO QUE NECESITES, ESTOY AQUI PARA COLABORARTE EN TU CAMINO PERSONAL, ARTISTICO, LABORAL, ...
Idea MARTIN PILIPONSKY cámara y edición NELSON URDANETA
La alegría del que danza (capitulo 1) es una recopilación de ¨un tiempo¨, un capricho y es también un encuentro. Como la mayoría de los proyectos artísticos, este corto ocurre como consecuencia de otro proyecto. Supone ser el capitulo 1ro de una especie de libro digital, el cual propone viajar a través de la experiencia en la danza y la improvisación. Es el final de un tiempo en Tucumán, de un break en la pedagogía, de una pausa para observar. Es reconocer el recurso y expandirlo. Es hablar del arte y de la danza a partir de las experiencias en el camino del artista.
"Dance can not be learned, it must always be a practice, it must be a unique and unrepeatable experience, sometimes positive and enriching, sometimes contradictory and difficult.
In times where the image is global and total, the practice in creating awareness through the authentic, real and liberating movement helps to move the states .. to create scores of Movement, to link us with more openness and expansion. A practice enables us to make our responsibility as performers, dancers, actors, humans. To put all our senses to use. Understand that the movement / dance is unnamable, non-transferable and that unique experience makes it possible to become aware of ourselves and our doing as individuals.
To undergo a practice is to recognize a vital process as such and in itself! Without the objective of a specific result. To submit to this process is to be aware of the infinite possibilities that result. A practice that enables our consciousness helps us to evolve to explore unknown places and allow something new and even perhaps surprising; like magic".
NOTA: Este texto proviene del proceso creativo que he ido manteniendo con el Ballet Contemporáneo de la provincia de tucuman!. Donde al observar el comportamiento de los bailarines, el dialogo sobre las pautas compositivas, el mismo entrenamiento, nos propician reflexionar.
"Dance can not be learned, it must always be a practice, it must be a unique and unrepeatable experience, sometimes positive and enriching, sometimes contradictory and difficult.
In times where the image is global and total, the practice in creating awareness through the authentic, real and liberating movement helps to move the states .. to create scores of Movement, to link us with more openness and expansion. A practice enables us to make our responsibility as performers, dancers, actors, humans. To put all our senses to use. Understand that the movement / dance is unnamable, non-transferable and that unique experience makes it possible to become aware of ourselves and our doing as individuals.
To undergo a practice is to recognize a vital process as such and in itself! Without the objective of a specific result. To submit to this process is to be aware of the infinite possibilities that result. A practice that enables our consciousness helps us to evolve to explore unknown places and allow something new and even perhaps surprising; like magic".
Lamentablemente este proyecto no vio luz a un publico abierto como debía ser, sin embargo concluimos todxs los que componemos este grupo en compartirlo en voz baja, comprendiendo entonces que nuestro hecho artístico se potencia desde un hacer sensible, sutil, no violento y sobretodo reconociendo las individualidades para elevar la maravilla de estar juntxs.
NOTA: Este texto proviene del proceso creativo que he ido manteniendo con el Ballet Contemporáneo de la provincia de tucuman!. Donde al observar el comportamiento de los bailarines, el dialogo sobre las pautas compositivas, el mismo entrenamiento, nos propician reflexionar.